
So if verticals, for example, are acceptable in the viewfinder, they will remain so whatever the amount of shift to include the “hidden” parts of the image. And most importantly, all this happens without moving the orientation of the camera in relation to the subject. This allows for much greater freedom in “placing” the image area within the now much broader circle before vignetting takes effect.

Simply put, the adapter expands the diameter of the projected image circle at the film plane. “Shift” is the moving of a lens up and down or to the sides from its central position while retaining its perpendicular orientation to the film plane. The combination of well-known optical principles combined with the latest in digital image control provides a powerful package that will expand photographic expression to new levels. This simple device solves not only technical challenges, but also provides exciting opportunities for creative solutions as well. Especially in combination with the Macro Adapter that improves the close range performance with the HC 50mm-II lens. With the extension tubes, H13, H26 or H52, the HTS 1,5 can also be used for close-up work.

Designed for the HCD 24mm, HCD 28mm, HC 35mm, HC 50mm, HC 80mm and the HC 100mm lenses, it, in effect, adds six different “tilt and shift lenses” to the range. A value of -100 will result in a photo completely without color.The revolutionary HTS 1,5 is a tilt and shift adapter that can provide a pivotal step-up for many Hasselblad photographers.

Swiping to the left decreases saturation. Swiping to the right will increase the saturation, or vibrancy, of the colors throughout your photo. Swiping to the right will increase the contrast, while swiping to the left reduces it. Use the contrast control to increase the difference between the brightest object and the darkest object in your photo. Swiping this control to the right brightens your photo. Swipe this control to the right to increase the strength of the blur, reducing the amount of detail in the out-of-focus areas. Swipe to the right to increase the transition’s distance. The transition control enables you to control how quickly the in-focus area transitions to the out-of-focus area. Tap and drag to position the center of the area. Use two fingers to rotate the direction of the area. After selecting the oval Gradient, you can adjust the height and width of the area of focus by using the pinch and zoom gesture on one side of the area. The oval focus lets you add a region of focus to your image. Tap and drag to position the band on the image. Use the pinch and zoom gesture to expand or collapse the band of focus. The linear focus lets you add a band of focus across your image that you can then control the size and position of. Tap on the Style pop-up menu to select from either the linear focus or oval focus.

Applying the Tilt-Shift filter can make a normal scene look like a toy set. This effect simulates the use of either a large format view camera or the depth of field common to a macro lens focused very closely. The Tilt-Shift filter creates a narrow in-focus band in your photo that transitions smoothly into a blur. Miniaturize your world: Create the classic compressed depth of field look of a miniature set or emulate the swings and tilts of a large format camera.
